>Image via CrunchBaseAs a Technology Staff Developer (TSD), placing a YouTube video into a PowerPoint presentation is easily one of the most requested "how-to"s I hear from fellow teachers. And unfortunately for Windows users, it's not a straightforward process, by any stretch. But I will show you THREE proven methods that I have used again and again. Since our school has switched to Microsoft Office 2007, these techniques apply only to that version of PowerPoint.
METHOD 1
Embed a reference to a YouTube video without actually downloading the video. This method will only work if you have a live and robust internet connection. Otherwise, you're out of luck. I can't take credit for this method: I found it on YouTube, and the creator/narrator is a woman named Laura Bergelis, who seems to know a lot about presentations and technology. You might enjoy reading many more tips at her website, Maniactive.
METHOD 2
Download a special extension ONCE to install into PowerPoint. Click on this link to see a pop-up video: *YouTube into PPT* NOTE: if you'd like to share the presentation with others, make sure you save it as a "macro-enabled" Powerpoint presentation. It will actually work for people who don't have the extension installed.
METHOD 3
OR, you can actually download a YouTube video and embed it in your PowerPoint presentation. This method might take a little bit longer, but will result in a PowerPoint that will play regardless of whether you have access to the internet.
Download your video using a website called Mediaconverter. Just paste the video's url (eg., http://www.youtube.com/watch?v=nMJuy0JIyVA) into the "conversion wizard" where it says, "Convert a video or music by url"
Choose the file type to convert to: WMV
Click through the next steps without changing any settings
Once that's done, click "DOWNLOAD NOW" and make sure you remember where you saved the file.
Open PowerPoint. Click the INSERT tab, then the MOVIE button, and choose your downloaded video. That's about it!
>Image via WikipediaOne of the trickiest issues for teachers is determining what constitutes "fair use" when utilizing copyrighted material, for ourselves or for our students. In the past, many well-intentioned educators published "fair use guides" on the web that were overly cautious or just plain wrong, focusing on, for example, the amount or percentage of time supposedly allowed when excerpting a clip.
And certainly, the general public propagates many myths about what can or cannot be used. For example, take a look at this seemingly harmless (and mercifully short) 29-second video posted on YouTube:
You might have missed it, but Prince's classic song, "Let's Go Crazy" was playing in the background. According to Wired magazine, this video "was removed last year after Universal [record company] sent YouTube a takedown notice under the Digital Millennium Copyright Act."
But you might have also missed the fact that, "after being taken down for six weeks, the video went back online last year, having now generated about half a million hits." (emphasis added)
Fortunately for budding video directors (like our students) and us, the courts are more recently and more often siding with the creators of such videos, according to the Center for Social Media of American University: "In reviewing the history of fair use litigation, we find that judges return again and again to two key questions:
Did the unlicensed use 'transform' the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original?
Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
According to Peter Jaszi of American University, "Fair use is like a muscle that needs to be exercised, but people can't exercise it in a climate of fear and uncertainty." I'm no lawyer, but it seems to me that if we and our students follow a set of "best practices", not unlike what we already do with written work, we are unlikely to be challenged on legal grounds. Based on the 2 legal questions above and our own previous experience with quoting and paraphrasing, our best practices should then be easy to articulate:
The use of the copyrighted work is transformative.
The kind and the amount of the copyrighted work used is appropriate for the assignment.
This is the last post I plan to write about the sessions from the National Educational Computing Conference, or NECC. The last speaker I saw, Mike Ribble, of Kansas State University, is the author of Digital Citizenship in Schools, which is a forward-thinking work dealing with the ethics and the legality of student behavior on the internet, "emphasizing the positive aspects of technology usage: collaboration, learning and productivity".
Ribble argues that too often we as educators (and parents) provide our students with the latest technological tools without really explaining how to use them properly. We have already witnessed the many abuses under the current laissez-faire system: cyberbullying, illegal downloading, creating websites to complain about teachers, and using cell phones during class. As a response, most schools' Acceptable Use Policies (AUPs) tell students what they can't do, but "do not teach students what is appropriate and why" (9). Under this umbrella of digital citizenship, Ribble identifies nine themes (all defined at his website):
As I sat in this session, I immediately thought of New Trier's Strategic Planning initiatives, specifically our Ethical Conduct and Global Citizenship (ECGC) action plans. After the success of the ECGC discussions in Advisery last year, and considering how involved our students are in social networks like Facebook and with technology in general, "digital citizenship" might be the next step in implementing our action plans.
>Image via WikipediaI attended two sessions dealing with the relative lack of spatial thinking across the curriculum and throughout the K-12 years. Bob Kolvoord specifically addressed the recent marginalization of both geography and earth science, while Dr. Terence Cavanaugh demonstrated the potential for infusing maps into the English curriculum.
Kolvoord, using a SmartBoard, whizzed through a demo of Google Earth, using only his fingers! But with considerably less flash, he showed how another free tool, ArcExplorer-Java Edition for Education (AEJEE: pronounced “aay-jee”) could be utilized to analyze data on energy consumption, natural disasters, and even election results.
Later, Cavanaugh showed how using the many new tools available for free on the web, both teachers and their students have the ability toconstruct custom mapsrelated to course content. For example, after reading Jon Krakauer’s Into the Wild, an American Studies class might track and recreate Chris McCandless’ journey using Google Maps. Or, if a teacher didn't have a lot of time, Google’s computers have already created maps for several works of literature, including Around the World in 80 Days, War and Peace, and (surprisingly, below) the 9/11 Commission Report. Click on the map below for greater detail. Search for these and more at http://books.google.com.
As a result of poor guidance, counterproductive guidelines, and fear, teachers use less effective teaching techniques, teach and transmit erroneous copyright information, fail to share innovative instructional approaches, and do not take advantage of new digital platforms.
Unfortunately, this is something I witnessed at one of the NECC sessions I attended, entitled, "Copyright & Technology: Helping Students and Teachers Understand the Issues". Even with the best of intentions, a speaker who is not an expert in copyright and fair use for educators (read: a lawyer or law professor) can do much damage, especially considering the size and composition of the audience. I counted approximately 300 people in the audience, including classroom teachers, tech integrators, and administrators, and my worst fears were realized: the speaker was not well-informed on the current state of copyright and fair use. Instead, he cited outdated or incorrect "guides for teachers" found on the web.
Fortunately, help is on the way. Come November of 2008 (approximately), Jaszi and Patricia Aufderheide will release a MacArthur Foundation-funded guide for educators, similar to what they have already produced for documentary filmmakers. "[T]o develop and distribute a code of best practices...about the fair use of copyrighted material for media literacy education."
UPDATE (July 2008): The Center for Social Media has just released a Code of Best Practices in Fair Use for Online Video which deals with not only the creation but also the posting of video containing copyrighted material. Although this is not aimed specifically at educators, it may give us the ability to revolutionize what are students are able to produce and share in the classroom.
Although this blog is authored by New Trier High School (NTHS) staff, the audience is global and the views expressed here do not necessarily represent those of NTHS as an institution.
Copyright and Fair Use
This site contains images and excerpts the use of which have not been pre-authorized. This material is made available for the purpose of analysis and critique, as well as to advance the understanding of technology in education.
The ‘fair use’ of such material is provided for under U.S. Copyright Law. In accordance with U.S. Code Title 17, Section 107, material on this site (along with credit links and/or attributions to original sources) is viewable for educational and intellectual purposes.
If you are interested in using any copyrighted material from this site for any reason that goes beyond ‘fair use,’ you must first obtain permission from the copyright owner.
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